Thursday, March 8, 2007

Trans Crypt

I've been extremely remiss about updating this blog. For one thing, the webchat transcript is recorded here:

http://www.thestudios.com.sg/chat/TSS_251_chat_transcript.html

Some memorable quotes:

Dutch: For me, I was curious when I heard that we produced a porn star in the US. Later when I knew more abt her background, did I *silently* thank her for showing the world that it is not only boring old Bureacrats running a country of 4 mil zombies. WE CAN SHOCK TOO

kalidas: I agree with DUTCH

kalidas: but dont give heart attack lah

....

F_ggie: Loretta what would you say to 18year olds who come and see your play & themselves have asperiations to be like her, maybe they'll try for 252?

...

Loretta: have i seen 9 songs? no tell me about it. i want to watch it

Mouse: it really blurs the line btween porn and art

Mouse: ts 69 (lol) minutes of two people ****ing

...

F_ggie: Loretta, before you leave do we get complimentry passes for helping advertise; )

Loretta: comp passes? compliment me first!

F_ggie: YOU ARE AWESOME A PRODUCER
Incidentally, kids, Loretta's a DIRECTOR. Although she did do a lot of producer work this time round, corralling up sponsors like Okamoto (yay! Safer sex is hot sex!).

Some photos coming up...

Wednesday, February 28, 2007

Ghosts of Annabel Past

There's actually a number of theatrical and artistic works in Singapore which reference Annabel Chong. She's that much of an icon. I've already listed one amateur e-mail song parody, but let's look at how the arts world reacted.

The first, and possibly the most influential so far, was Alfian Sa'at's Annabel Lee's Last Stand (1999), originally performed by The Necessary Stage and directed by Jeff Chen in a series of short political sketches by Alfian and Chong Tze Chien entitled sex.violence.blood.gore.


The sketch was based on an allegorical combination of Annabel Chong and Lee Kuan Yew's biographies. The full text is available here, on Alf's blog. sex.violence.blood.gore was censored in 1999, with the police demanding that two of Chong Tze Chien's sketches and one of Alfian's not be shown. Alf was consequently very grateful when Teater Tribunalen of Stockholm, Sweden, staged his version of the script in its entirety. (The image above is from that production in 2006. Yup, those are angmohs wearing black hair extensions.)

The second, which came out in Action Theatre's first 42@Waterloo Festival (Nov 1999), was Rosita Ng's Baby, You Can Drive My Car. This was a one-woman show, performed by the playwright and directed by Ekachai Uekrongtham. Sadly, I didn't watch this (I was a poor student at the time), and Rosita's no longer in theatre, so I know very little about this production.

The third I'm aware of was Brian Gothong Tan's short video, Annabel Chong, which was exhibited as part of his installation for the Singapore Biennale, We Live in a Dangerous World. The video portrays Benny Lim of The Fun Stage in drag with a Suzie Wong-wig and red lipstick on, naked from the shoulders up, humping up and down, screaming out, "The death penalty is immoral! The death penalty is immoral!"


No video, but here's a post-production shot of his work on Imelda Goes to Singapore, another campy interrogation of a Southeast Asian legend. More of his videos here.

I'm quite sure there are references to Annabel in other media I've left out - painting, sculpture, epic poetry, Chinese calligraphy, batik, performance art, a cappella?

Suggest a few resources.

Monday, February 26, 2007

Chat with Loretta!

This summary is not available. Please click here to view the post.

Sunday, February 25, 2007

Promotion @ Two Queens!

This Thursday at Club Momo. Find out more here.

Annabel Chong

Saturday, February 24, 2007

L'instructeur de la natation

Thought I might as well give a shout-out for our director's other play, The Swimming Instructor, showing at 42 Waterloo St from Fri 9 to Sun 18 March. Loretta's teaming up with film director Sherman Ong to create a filmic/live version of the play by Desmond Sim.

Buy the tickets here... Or you could just ogle the bodies on show.

Ooh, and as a critic, I feel it's only just to link to a balanced Inkpot review. ;)

Wednesday, February 21, 2007

Design meeting

Happy CNY! We held our design meeting just now at the Toy Factory office; wish I'd brought my camera so I could show off how gorgeous our set designer and lighting and multimedia designers are (even the orchestra is beautiful, bee-yatch).

So it seems that we'll be using a traverse stage, with video projections on the floor (anyone know a good formica deal?). We may no longer have our lingerie sponsorship; if anyone knows a tofu-producing sponsor, that would be great too.

And we'll be seating 160 people per night. That's 160 seats we want to sell out every night. And 160 X 15 performances = 2,400 bums in seats... gee willikers, that's a lot of vacancies!

I don't know if I'm more scared that the reviews will be too kind or too nasty. Loretta says: if they critics don't like it, they should lie and then tell her in private.

Ah, Loretta. She's fifty times more fabulous than I.

Saturday, February 17, 2007

Beating a Retreat

On Monday 12 and Tuesday 13 February, 2007, our director Loretta Chen dug into her own pockets and booked a chalet at Changi Sailing Club.

This was where we held a retreat-cum-workshop for 251 - photos here.



Lemme introduce the cast:
From left to right: Cheryl Miles, Lee Weng Kee and Paul Lucas...


The irrepressible Amy Cheng:


And playing Annabel herself, Cynthia Lee Macquarrie:

And of course, our beloved director Loretta Chen:


Our ever-responsible stage manager Stanley Ng:

And moi. You can see why I'm not in the cast. I'm just too campy.

Monday, February 12, 2007

Grace's Anatomy

Did I mention that we're in the latest issue of FHM? Check out the March issue of FHM, p64-65. There's an interview with our dear directrix, as well as photos of our press conference - which means photos of *all of us*.

Sunday, February 11, 2007

"last boy" and other autopornographies

These are slides from a presentation I just did at Rojak, discussing my craft as a writer and exhibitionist... both criteria that made me terribly eligible as playwright of 251.

1. last boy, my first book of poetry, drawing on my sexual history in New York, coupled with some extremely passionate poetry readings.



2. My experimental drag in university.


3. Which I also engaged in at the opening of the Singapore Biennale Opening Party for the sake of celebrating the carnivalesque. Components: Japanese oni demon mask and green vintage dress found in an old closet in Columbia.


4. Coverage: A wearable art intervention performed Friday, 10 November at Encounters 34: Beginning Belief, LaSalle-SIA School of the Arts. Materials: Singapore Biennale badges (X 92), Singapore Biennale tote bag, black tights, blazer and marker pen inscriptions of local contemporary artists not included in the Biennale. Reprised Saturday 11 November at the official closing party for the Biennale. Amanda Heng said she liked it. :)


5. And more recently, a grumpy protest against the proposed retention of section 377A, the Penal Code article against gay male sex, at the SQ21 blog.


There are other slides, but I'll curb my sluttiness for now. :)

Tuesday, February 6, 2007

Rojak!

I'll blog about the retreat we just had in a while... but first, an announcement. I'm doing a presentation this Friday night on my work at the next Rojak. It's an evening of talks by artists and designers, organised by Farm.sg, held quarterly at a cool new location every time. This time it's at Pearl Bank Apartments, near Outram MRT, where I was born and grew up.

My talk's entitled "last boy and other autopornographies". Of course, I'll be talking about 251 as well. Below is the proper invite:




09.02.2007 Fri 08.00pm till 09.02.2007
Welcome to ROJAK 07. This time, it is held in Pearlbank Apartments, part of the "Save the Modern Buildings" series. The Pearlbank Apartments, like our previous Golden Mile Complex venue, is in the midst of en bloc and possibly sold away. These architectural pieces contains many unique spaces and it will be a shame if they disappear from our local landscape. We hope that ROJAK can bring our local creatives from different disciplinaries to experience these spaces and hopefully, works can be inspired from them.

The presentation will also start earlier this time at 8pm and do come rest casually and comfortably :)

Due to the nature of our venue, there are a few things to note this time:

1. Please bring drinks to share for the ROJAK dingy. Previously, FARM always try our best to refill the drinks during ROJAK. But as this venue is far from any possible replenishment, we requested that all audience to bring something to share with the rest. It's the least you can do with all the sharing going around on ROJAK night.

2. The owner has requested that there is absolutely no smoking within the space, no sitting on the balcony ledge (which is 37th floor! yikes!!) and please do not touch the antique mirrors hung in the kitchen as they are quite reactive to water and stains (but yes, stare into yourself with them)

3. This is a private event. Please subscribe to FARM FEED for the invites and instructions on how to get to the venue (through the security).

See you soon.

Saturday, February 3, 2007

An SMS from Loretta

Hey all! Good news - Just got an email from Grace, she got my package and your note, everything's cool. Her only complaint is the eyeshadow on Cynthia Lee, she says it's bad makeup job! But otherwise, all cool;-)

Thursday, February 1, 2007

FUCKANABEH CHOW CHEE BYE!!!

That was a yell of triumph. I've just finished Draft 3.

(In my contract, it states that Draft 4 should've been ready 2 days ago, but Loretta liked Draft 2 so much she decided she'd give me a break. We'll see on Friday's tech reading whether she's dug her own grave.)

Wednesday, January 31, 2007

Random question

Why do people keep on misspelling her name as "Annabelle Chong"?

Sunday, January 28, 2007

E-mail with da She-male

The Sunday Times today ran its weekly "E-mail Interview" with our director Loretta Chen - who is anatomically female, of course; it's just that she resembles a drag queen in every other way. :)

Check the main section today, just behind the back page - "Who says only women go topless", p43, interview conducted by Kelvin Wong.

Saturday, January 27, 2007

Don't Cry for Me Singapura

It was not easy, you'd think it hurts
Though I try to explain how it felt
That I could still get up and run
After two hundred and fifty-one

It took much effort
All you will see is a girl you once knew
Although she's not wearing anything at all
And trying to do it some more

I had to let it happen, I had to change
Couldn't spend all my life down here
Looking out of the window, in a blue pinafore
So I chose freedom, running around,
Trying every man I knew,
But no dick impressed me at all,
I never expected it to

Don't Cry For Me Singapura
The truth is I never left you
All through my orgies, my mad orgasms
I've done my best now, so buy the video

And as for headlines, and as for shame
I'd never invited them in
Though it seemed to The New Paper
They were all I desired

They are illusions
They're not truths the reporter claimed them to be
The answer was clear all the time
I love it, so what's your problem?

Don't cry for me Singapura
Don't read the newspaper either
All through their wild lies, their crazy stories
They hurt my loved ones, to make more money?

Have I screwed too much
Is there no one else tonight I can think of to try to take
But don't deceive yourself, tell me that it's true
That you took delight in it too!

Note: this piece is not by me - in fact, I remember getting this in my e-mail back when I was in JC in 1997 - it's some random citizen's parody of "Don't Cry for Me Argentina" from Andrew Lloyd Webber's Evita. If anyone knows who the original author was, please tell me so I can give proper credit. Source here.

Tuesday, January 23, 2007

Lianhe Zaobao, e@News, Friday 19 January 2007, p9

Some coverage from the Chinese press! The title reads, "Cynthia Lee: This isn't the first time I'm going topless on stage". Sigh, how come everyone thinks this play's about sex? ;-D


Posted by Picasa

Monday, January 22, 2007

Topless okay, but no full frontal

That's the title of the New Paper article that ran last Thursday:

Acting the part of former porn actress Annabel Chong will be challenging, Cynthia Lee-Mcquarrie tells SHEELA NARAYANAN
January 19, 2007

THE first thing Cynthia Lee-Mcquarrie did when she got the lead role in Toy Factory Theatre Ensemble's production, 251, was tell her mother about it.

The 26-year-old actress told The New Paper: 'I said to her, 'Ma, I tell you first ah, I am playing Annabel Chong (ex-porn actress)'.

'I had to prepare her before the relatives found out.'

Cynthia is an old stage hand at tackling sexy roles. She took off her top as Bunny the prostitute in the stage version of Eric Khoo's film Mee Pok Man, and was one of the Kit Kat Klub girls in last year's raunchy historical musical Cabaret.

Which prompted her to joke that every time a hot role was up for grabs, she would inevitably get offered the part.

She said: 'I don't know what it is. If it's a sexy role, call Cynthia.

'And my poor mother will always get questions from relatives asking her, 'Why your daughter always play sexy roles?' It was best to warn her about this one.'

So why is she doing it?

'I was curious about why they were bringing her back. When (director) Loretta (Chen) explained it to me, that it was about her role in our society, I understood it was offering people a different way of seeing the same picture.

As for being typecast in sexy roles, Cynthia said: 'I rather be typecast than not be cast at all.'

251 is based on the life of former porn actress Annabel, a persona created by Singaporean Grace Quek, now 35. (See report on facing page.)

The title is a reference to Ms Quek's claim of setting a record in 1995 by having sex with 251 men in 10 hours.

251's cast includes veteran actor Lee Weng Kee and Amy Cheng, who play Ms Quek's parents, as well as Cheryl Miles who plays Asia Carrera, a porn actress and Grace's friend.

While there have been many references to Annabel's sex video in other local plays, this is the first time a full-length production is being made about her life.

Annabel, as Cynthia found out after she took on the role, still polarised people.

She said: 'When I told my friends that I was going to play Annabel, I had two reactions, they were either horrified or fascinated.

'One person told me, 'Oh no, why? This is going to be a career breaker'.'

Loretta, 30, an associate lecturer at LaSalle-SIA and a research fellow at the National University of Singapore, agreed that Annabel is still a somewhat controversial topic, even 10 years on.

She said the idea for the play came up during a discussion with Goh Boon Teck, the artistic director of Toy Factory, about the video sex scandals that have hit headlines here, such as the Tammy video.

This is the infamously-circulat ed video clip where a polytechnic student used a camera phone to film herself and her boyfriend having sex. When she lost the phone, the clip ended up on the Internet in February last year.

Loretta said: 'When I read about these sex videos like Tammy, I realised Annabel Chong, in a way, pioneered it 10 years ago.

'And then I thought about her record and how this country is so obsessed about breaking records and all the discussions in the media last year... I wondered how someone like Annabel would be received today?

'Whether we understand it or not, what she did was impactful and still reverberates in our collective psyche.'

Loretta said she wants to focus on the person behind the persona, instead of Ms Quek's sensational career.

She said: 'She is such an urban legend in a way. It seems everybody knows somebody who knew her in school - like a six degrees of Annabel.

'I wanted to present a different perspective to what we know of Annabel from that sensational video. Why this intellectual young woman did what she did.'

However, she denied that she was taking advantage of, or cashing in on, the myth of Annabel Chong.

She said: 'It is controversial, it will always be controversial but it is worthy of interest and discussion.'

Loretta added that she has watched Annabel's infamous orgy video in LA and described it as 'the most anti-porn porn video' because it was shot in such 'a documentary- like manner, it wouldn't arouse anybody'.

So, will 251 contain that infamous orgy scene from the video?

THIRD DRAFT

Loretta said it is still being considered as the script has not been finalised yet and is currently
undergoing a third draft. Even if it is included, the scene will be stylised, she explained.

Likewise, she couldn't give any indication whether there'll be nudity.

251 has received an R(A) 18 rating because of its theme and subject matter.

Loretta said she never expected a PG or G rating from the onset but one of her concerns was whether they would be allowed to even stage the play at all.

Cynthia said she was okay with going topless but not full-frontal.

Helming the script is newbie playwright Ng Yi-Sheng. He took over the reins from veteran Tan Tarn How, who had been unable to commit to the project due to his tight schedule.

Yi-Sheng, 26, a recent literature and creative writing graduate from New York's Columbia University admitted the project is daunting.

But he emphasised that he was not out to vilify or glorify Ms Quek.

Does Ms Quek know about this play on her past?

Toy Factory said it made numerous attempts to reach her via e-mail and through her friends.

It eventually contacted her in December through author Gerrie Lim, who declined to be interviewed for this article.

According to Loretta, Ms Quek gave her blessings for the production.

She said: 'She was in town last month to visit her family and we were meant to meet up. Then it didn't happen as she changed her mind.

'She told Gerrie that we could do whatever we wanted. She said her Annabel days are over.'

Ms Quek still lives in the US, working as a web designer and consultant.

Cynthia believes that meeting Ms Quek might actually not help her in her role.

She said: 'I would like to play her as a fictional character as the play is fictional anyway. It's just
based on a real person.'

Her bigger worry is bracing herself for the onslaught of public comments that will eventually appear.

'I don't want my portrayal to offend Ms Quek's family and friends, but I don't think I need to explain why I am doing this part.

'I won't say that I'm not worried but I am going to deal with it when it comes.'

The story behind Annabel Chong

SHE attended top schools Raffles Girls Secondary and Hwa Chong Junior College before moving to London as a law student in 1994.

At 21, Ms Grace Quek moved on to study photography, art and feminist studies at the University of Southern California.

Her involvement with the pornography industry started when she answered an advertisement in an LA magazine.

She met porn director John T Bone - whom she once described in an interview as 'sleazy' - and her career as Annabel began.

In 1995, Annabel made headlines around the world, when she starred in a video directed by Bone, where she reportedly had sex with 251 men over a 10-hour period
to break a previous record of 121.

She later told online magazine Spike in 2000 that the actual number of men was only 70.

Singaporeans first heard about Ms Quek's exploits when the video began circulating on the Internet.

EXCLUSIVE INTERVIEW

In an exclusive interview with The New Paper in January 1997, she said: 'I was brought up in a
conservative society. I went through a serious identity crisis and a phase of finding out who I
really was.

'I found that the more I talked about who I really was and what sex meant to me, the less I wanted to hide the real me.'

Ms Quek's life later became the subject of a documentary entitled, Sex: The Annabel Chong story, which was a hit at the 1999 Sundance Film Festival.

In the documentary by filmmaker Gough Lewis, which was never released here, she claimed she was gang-raped by four men while studying in London.

Ms Quek continued working in the porn industry for about six years, acting in as well as directing her own films.

She also set up her own adult website. In May 2003 she shut it down declaring, 'Annabel Chong is dead', and retired from the industry.

Friday, January 19, 2007

Press

Incidentally, we got coverage yesterday in The New Paper and Life!. Will scan in the articles soon.

The conference went well... reporters turned up late, as usual, and the weather was a bit wet, but everyone was fabulous. Many thanks to our volunteer cast and crew.

Thursday, January 18, 2007

SYNOPSIS

(Just 'cos I thought you'd like to know:)

Annabel Chong burst into history in 1994 in a world-record 10-hour gangbang with 251 men. The first porn star to come out of Singapore, she became one of the most internationally recognised Singapore icons, right next to the Merlion and Tiger Balm. With her unique brand of feminism, she became the focus of feverish media attention and a controversial public figure, not least because she represented an otherwise conservative country.

Haunted by her memories of home, history, her strict religious upbringing, she struggles to reinvent herself as Grace Quek, the digital diva and matrix mistress. Join us on this racy journey set amidst the landscape of her boudoirs, sleazy studios, raunchy strip clubs, porn parties and the constantly evolving world of cyberspace.

(And of course, by the third draft, everything will change again...)

Wednesday, January 17, 2007

Press Conference

Well, the press con is tomorrow at Loof. I've done up a cute sketch, based on the Adult Video Network Awards, to promote the show, and of course it has absolutely nothing to do with the actual content of 251, absolutely nothing.

And instead of working on Draft 3, I'm busy setting up a blog for this play. It's my first professional commissioned piece in 9 years, and the first full-length piece I'm being paid money to write.

Many thanks to my director Loretta Tan for support. I'll be posting tidbits as I go along, to fill blog-surfers with an artificial sense of anticipation for the play.

And in case you can't wait, buy your tickets now.

Saturday, January 6, 2007

Kickoff

Testing!