This makes me so happy.
Anyway, as sighted in the Esplanade tunnel:
And in the Esplanade itself, on the second floor:
Posted by
Ng Yi-Sheng
at
8:11 AM
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Labels: publicity
Tonight, I'm going for the first full-run with my brand-new Yashica EZ Digital 5011 camera (it's cheap and of dubious branding, just like me.) God, I'm nervous, and I'm not even acting. Just for the hell of it, here's some shots from the original photoshoot.

Click here for more shots of our lovely leading ladies in lascivious states of undress.
Posted by
Ng Yi-Sheng
at
7:27 AM
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I've been extremely remiss about updating this blog. For one thing, the webchat transcript is recorded here:
http://www.thestudios.com.sg/chat/TSS_251_chat_transcript.html
Some memorable quotes:
Dutch: For me, I was curious when I heard that we produced a porn star in the US. Later when I knew more abt her background, did I *silently* thank her for showing the world that it is not only boring old Bureacrats running a country of 4 mil zombies. WE CAN SHOCK TOOIncidentally, kids, Loretta's a DIRECTOR. Although she did do a lot of producer work this time round, corralling up sponsors like Okamoto (yay! Safer sex is hot sex!).
kalidas: I agree with DUTCH
kalidas: but dont give heart attack lah
....
F_ggie: Loretta what would you say to 18year olds who come and see your play & themselves have asperiations to be like her, maybe they'll try for 252?
...
Loretta: have i seen 9 songs? no tell me about it. i want to watch it
Mouse: it really blurs the line btween porn and art
Mouse: ts 69 (lol) minutes of two people ****ing
...
F_ggie: Loretta, before you leave do we get complimentry passes for helping advertise; )
Loretta: comp passes? compliment me first!
F_ggie: YOU ARE AWESOME A PRODUCER
Posted by
Ng Yi-Sheng
at
8:10 PM
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Posted by
Ng Yi-Sheng
at
11:28 PM
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These are slides from a presentation I just did at Rojak, discussing my craft as a writer and exhibitionist... both criteria that made me terribly eligible as playwright of 251.
1. last boy, my first book of poetry, drawing on my sexual history in New York, coupled with some extremely passionate poetry readings.
2. My experimental drag in university.
3. Which I also engaged in at the opening of the Singapore Biennale Opening Party for the sake of celebrating the carnivalesque. Components: Japanese oni demon mask and green vintage dress found in an old closet in Columbia.
4. Coverage: A wearable art intervention performed Friday, 10 November at Encounters 34: Beginning Belief, LaSalle-SIA School of the Arts. Materials: Singapore Biennale badges (X 92), Singapore Biennale tote bag, black tights, blazer and marker pen inscriptions of local contemporary artists not included in the Biennale. Reprised Saturday 11 November at the official closing party for the Biennale. Amanda Heng said she liked it. :)
5. And more recently, a grumpy protest against the proposed retention of section 377A, the Penal Code article against gay male sex, at the SQ21 blog.
There are other slides, but I'll curb my sluttiness for now. :)
Posted by
Ng Yi-Sheng
at
4:48 AM
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Labels: publicity, supplementary texts
I'll blog about the retreat we just had in a while... but first, an announcement. I'm doing a presentation this Friday night on my work at the next Rojak. It's an evening of talks by artists and designers, organised by Farm.sg, held quarterly at a cool new location every time. This time it's at Pearl Bank Apartments, near Outram MRT, where I was born and grew up.
My talk's entitled "last boy and other autopornographies". Of course, I'll be talking about 251 as well. Below is the proper invite:
Posted by
Ng Yi-Sheng
at
11:05 PM
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Labels: publicity